Prof. Christie
Brown

Christie Brown

Research Profile

Artist Profile


DreamWork: a research project and exhibition in collaboration with The Freud Museum.

Christie Brown’s exhibition entitled DreamWork was held at the Freud Museum, Maresfield Gardens, London NW3 in November 2013. It attracted a large audience with a range of responses and several noted reviews.  Christie intends to make a series of drawings from the photographic record of this exhibition to develop reflection around the nature of narrative tableaux and the animation of inanimate objects, which were key elements in the work.

See Events – Exhibitions for more details.

The  2nd Ceramics in the Expanded Field Project Symposium, Interpreting the Collection: Idea, Object, Site, which accompanied this exhibition was held at the Anna Freud Centre on 26th January 2013. Christie Brown spoke about her research within this project alongside several other noted speakers from different fields including Dr Glenn Adamson, head of research at the V&A, curator and writer Janice West and architect and exhibition designer Calum Storrie.

See Events– Symposia for more details and podcasts.

See www.freud.org.uk for archive details.

 

Artist’s statement.

This research project is inspired by the archaic and ancient archaeological fragments contained in museums and the narratives they can suggest, as well as an interest in the significance and importance of objects in our lives.

The Freud Museum in north London is the house in which Freud spent the last 18 months of his life. The interior of the study where he worked contains his large collection of ceramic and bronze figurines from ancient Egypt and Classical Rome which reflect his deep interest in the discipline of archaeology where layers are carefully stripped away to reveal a hidden fragmented treasure. Freud used the archaeology metaphor as a way of understanding the psychoanalytic process and making it more accessible to the general public.  As a figurative artist, I am intrigued by the significance and nature of Freud’s collection as well as the notion that, as the receptacles for human emotions, such objects have a life of their own.

The title of the show implies a narrative slightly out of our control where unlikely connections and associations can occur. The figures make slight reference to Freud’s definitions of the term ‘dream-work’, such as displacement, representation, condensation and compensation.  After studying a small and rather neglected selection of figures which are partly hidden in a case in Freud’s study, I am remaking these characters and foregrounding them, allowing them to invade the exhibition room upstairs which was once Freud’s bedroom. In this installation, entitled Sleepover, the dream world that is activated when we fall asleep is echoed by the idea that objects come to life when we are not looking, hinting at an uncanny animated narrative that has been interrupted but which may resume at any time when we leave the room.
Other smaller works will also refer to the archaeology metaphor such as My Desk – a collection of personal reference objects that inform my practice, I Pray Again, Again... a large group of small porcelain children cast from modern day ex-voto figures and Eros, who inevitably lies on the couch in need of some coherent inner structure. A small group of shabti faience figures based on my own teddy bear completes this intervention.

 


 

Freud's desk, The Freud Museum, London

My Desk (2012) ceramic and mixed media